Identity: the face, skin, body and hair are the subject's own and never change. Where a hairstyle is described below, style the subject's own hair into it; never change the hair's colour, length or texture. Apply only the outfit, makeup, hairstyling, pose and setting described below.
Create a three-panel fisheye street photo set.
Subject: the same subject in all three panels, identical face, hair and outfit throughout. Wearing a top with trousers, on
shoes. simple jewellery — a fine chain necklace and rings on two fingers.
Layout: three equal horizontal panels stacked vertically with thin dark gutters between them,
each a separate photograph taken at the same location on the same night.
Panel 1 (top): the subject stands at mid-distance facing camera and thrusts the subject's left hand toward the
lens, palm open and fingers spread, the hand large in the foreground at the left of frame while
the subject's body stays at natural scale to the right. Chin level, slight closed smile, looking into the
lens.
Panel 2 (middle): shot from above and close, the subject's face filling the centre of the frame with the subject's
body receding small beneath the subject toward the street. Chin tipped up to the lens, warm open smile
with teeth, the subject's own hair falling forward at both cheeks.
Panel 3 (bottom): full-length from ground level. The subject sits low on the road in an editorial pose —
the subject's left leg folded in beneath the subject with the knee down, the subject's right leg extended long out to the
side with the knee soft and the foot flexed. The subject's left hand rests lightly on the ground beside
the subject's hip with the arm straight and the elbow locked, taking a little weight and lifting the subject's torso
tall. The subject's right forearm rests along the subject's right thigh. Spine long, shoulders drawn back and turned
15 degrees to camera, chin level, calm direct gaze into the lens.
Setting: the setting — a night market street, a brightly lit glass-fronted shop packed with
goods filling the right side, market stalls and blurred passers-by receding down the street to
the left, wet dark asphalt underfoot reflecting the lights.
Visual style: photoreal fisheye street photography, strong barrel distortion curving the
buildings and horizon, saturated shopfront colour against night shadow, visible grain.
Composition: fisheye lens in all three panels with vertical lines bending outward at the frame
edges, subject centred, shop lights along the right, street receding at the left.
Lighting: mixed practical light — bright cool fluorescent spill from the shopfront on the subject's right
side, warm stall lights behind, deep shadow further down the street.
Text inside: shop signage stays present but out of focus and unreadable in every panel. No
captions or added text.
Constraints: never change the face, hair or outfit between panels — it is the same person on the
same night, never vary the location or time of day between panels, never remove the fisheye
distortion, never render the reaching hand with more or fewer than five fingers, never merge the
fingers. In panel 3 never put both hands on the ground, never crouch or squat the subject, never let the
knees splay open toward the lens, never round the subject's back or drop the subject's shoulders forward — the torso
stays lifted and the spine long. Never let panels bleed into each other or vary in height, never
add a second person near the subject, never render legible shop text or brand names, never change the subject's face, skin or body, and never change the colour, length or texture of the subject's hair — style it only as described.
Output: 3:4 vertical.
