Identity: the face, skin, body and hair are the subject's own and never change. Where a hairstyle is described below, style the subject's own hair into it; never change the hair's colour, length or texture. Apply only the outfit, makeup, hairstyling, pose and setting described below.
Create a haute couture editorial portrait.
Subject: the subject, the subject's own hair pulled back with a centre part, standing
against a weathered plaster wall. The subject wears an extreme sculptural short dress in ivory
pleated satin. This is not a fitted dress — the finely pleated fabric erupts outward
from a knotted twist at the waist into three enormous asymmetric curved lobes: one
sweeping wide and high above the subject's left shoulder, one curling around behind the subject's right
shoulder, one falling low and wide to the subject's right hip. Each lobe is a huge swelling
three-dimensional shell of pleated fabric standing far out from the subject's body, together
spanning roughly twice the subject's shoulder width. Beneath and between the lobes a narrow fitted
pleated mini-dress hugs the torso, hem at mid-thigh. Narrow pleated cuffs at both
wrists. Long slim gold drop earrings hanging straight down. No necklace.
Action: standing with the subject's body turned about fifteen degrees to the subject's left — a slight
angle, never square to the camera — one shoulder marginally forward, weight settled on
one leg. Arms hanging down inside the sculptural form with only the subject's hands emerging below
it, fingers relaxed. Head turned back to the camera, chin slightly lowered, looking up
into the lens with a cool, detached, unimpressed editorial
expression, eyes steady and slightly heavy-lidded, mouth closed and relaxed.
Setting: a weathered cream plaster wall directly behind the subject with patches of exposed
texture and flaking surface, soft diagonal bands of window light falling across it.
Never a plain seamless studio backdrop.
Visual style: photoreal high-fashion couture photography, warm cream and gold palette,
crisp detail on the pleated fabric, fine grain.
Composition: vertical, cropped at mid-thigh just below the hem — no feet, no floor, no
full body. Subject centred and filling the frame height, the sculptural lobes spanning
most of the frame width.
Lighting: warm directional daylight from the right, raking across the wall in soft
diagonal shadows, gentle sheen along the pleats, low contrast on the face.
Text inside: none.
Constraints: never render this as an ordinary fitted, strapless, bodycon or mini dress
with no sculptural volume — the three large lobes standing out from the body are
mandatory. Never make the form flat, round, symmetrical, disc-like, fan-like or
pinwheel-like. Never replace the textured plaster wall with a plain grey or seamless
studio background. Never add a necklace or any jewellery beyond the drop earrings.
Never show the full body, legs, feet or floor. Never stand the subject square to the camera.
Never soften the expression into something warm or approachable. Never raise the arms, never change the subject's face, skin or body, and never change the colour, length or texture of the subject's hair — style it only as described.
Output: 9:16 vertical.
