Identity: the face, skin, body and hair are the subject's own and never change. Where a hairstyle is described below, style the subject's own hair into it; never change the hair's colour, length or texture. Apply only the outfit, makeup, hairstyling, pose and setting described below.
Create a corner office portrait.
Subject: the subject seated at a desk, full-length. The subject's own hair is worn
falling forward over the subject's left shoulder and behind on the right. Simple jewellery — small studs and a
slim watch. Wearing a dress, a long-sleeved midi dress with a draped asymmetric neckline and a
gathered waist, on shoes, pointed heels.
Spatial layout: the desk is a solid marble slab running in from the right edge of frame at a
shallow angle, its near edge and side face fully visible and unbroken. The chair sits entirely
in front of the desk, closer to camera, with a clear gap of floor visible between the chair
base and the desk's supporting side. The chair is complete and unobstructed — both armrests,
the back, the column and all five castors are visible in full. Nothing passes through anything
else. The subject's right forearm rests on the desk's near edge with the elbow beyond that edge and the
hand on the surface, the arm reaching across the gap rather than merging with the desk.
Action: seated in a leather office chair turned 20 degrees to the subject's left, torso rotated back
toward camera. The subject's right forearm rests on the desk edge with the hand relaxed and flat, the
subject's left hand rests on the upper thigh. Legs crossed at the knee with the upper leg extended
forward and the pointed toe near the floor. Shoulders relaxed, chin level, direct steady gaze
into the lens, lips closed and softly neutral.
Setting: the setting — a high corner office with floor-to-ceiling windows filling the left half,
a city skyline at golden hour beyond. The marble desk carries a laptop turned away, a closed
notebook with a phone on it and a glass of water, with a vase of pale flowers at the far right.
A framed abstract print on the wall behind, a textured rug underfoot.
Visual style: photoreal editorial interior photography, warm golden-hour palette, soft depth of field with the skyline gently out of focus.
Composition: vertical frame, camera at seated eye level, subject centred and full-length with
the subject's head in the upper third, windows filling the left, the desk entering from the right, the subject's
crossed legs and feet visible at the lower edge.
Lighting: warm directional daylight from the windows at the subject's left, soft ambient fill, a gentle
rim along the subject's shoulder, a soft contact shadow beneath every castor where it meets the
rug and beneath the desk's base.
Text inside: none — leave skyline signage, the laptop screen and the notebook illegible and
unbranded.
Constraints: never let the desk pass through, overlap or clip the chair — they are separate
objects with clear space between them, never hide or amputate an armrest, chair leg or castor
behind the desk, never merge the subject's arm into the desk surface, never float the chair or desk above
the rug — both cast contact shadows, never uncross the legs, never lift the forearm from the
desk, never stand the subject up, never look away from the lens, never smile with teeth, never crop the feet, never show content on the laptop screen, never
render legible signage or brand marks, never add a second person, never change the subject's face, skin or body, and never change the colour, length or texture of the subject's hair — style it only as described.
Output: 9:16 vertical.
