Identity: the face, skin, body and hair are the subject's own and never change. Where a hairstyle is described below, style the subject's own hair into it; never change the hair's colour, length or texture. Apply only the outfit, makeup, hairstyling, pose and setting described below.
Create a runway fashion editorial portrait.
Subject: the subject walking
toward the camera. The subject's own hair is pulled back sleek with a centre part. The subject wears a chocolate-brown double-breasted oversized blazer with
wide notched peak lapels and gold buttons in two vertical rows, sleeves pushed and
ruched up to just below the elbow, worn open with nothing beneath and the lapels
crossing low on the chest. Beneath it, extremely wide-leg bronze liquid satin trousers
of enormous volume, high-waisted and hidden under the blazer, the fabric flaring
outward and rippling with the stride, hems pooling on the ground and filling the lower
third of the frame. Bronze metallic pointed-toe heels, one just visible below each hem.
A short chunky silver curb-chain necklace sits high at the base of the throat. A stack
of four wide gold bangles on the subject's right forearm just below the pushed-up sleeve. A black
watch on the subject's left wrist. Small gold hoop earrings. Makeup applied to the subject's own face: soft brown lip.
Action: mid-stride walking toward the camera, torso turned about fifteen degrees to the subject's
left with the left shoulder slightly forward, hips squarer than the shoulders, weight
settling onto the leading right leg. The subject's right arm hangs straight down and slightly
forward, elbow soft, gripping the bag's short handle with the fingers curled under and
the thumb over the top, the bag hanging at mid-thigh height just clear of the subject's body. The
subject's left arm is bent at roughly thirty degrees at the elbow and held slightly away from the
body, forearm angled forward and down, wrist straight, fingers relaxed and softly
curved with a gap between them. Head turned back to face the camera, chin level and
very slightly lowered, eyes steady, mouth closed, cool and unimpressed.
Setting: a dark charcoal wall of narrow vertical ribbed slats running the full width
behind the subject, in shadow. Large grey stone paving tiles underfoot receding to a vanishing
point.
Visual style: photoreal runway fashion photography, warm bronze and chocolate palette,
crisp detail on the satin sheen, fine grain.
Composition: full-length vertical, eye-level camera, subject centred and filling the
full frame height with minimal headroom, the ribbed wall across the upper two thirds,
paving across the lower third.
Lighting: warm directional light from the front-left, bright liquid sheen running down
the satin trousers, soft shadow falling behind the subject onto the paving.
Text inside: none.
Constraints: never render the trousers narrow, straight or without volume — they are
enormously wide and flowing. Never square the subject fully to the camera or turn the subject into
profile. Never straighten the bent left arm or raise it. Never swing the arms high or
behind the subject. Never let the bag hang from a long strap, dangle from the fingertips, or
swing away from the subject's body. Never splay or stiffen the fingers. Never close the blazer or
add a top beneath it. Never stop the stride into a static stand. Never crop the bag,
the shoes or the trouser hems. Never brighten the dark wall, never change the subject's face, skin or body, and never change the colour, length or texture of the subject's hair — style it only as described.
Output: 9:16 vertical.
